Clara Bijl

I learned English by listening to rap songs.

I moved to America when I was 18 years old to go to college in South Carolina, as you do when you come from France. I learned a lot in South Carolina mostly, English (I’m kidding - see opening sentence), seriously, I did learn a lot, like how to date the proper way, (because French women know nothing about that,) and about racism for example, because South Carolina’s racism is still so palpable.

Then I moved to New York City to become a stand-up comedian and I did become a stand up comedian. I told jokes around the city, not caring that my english wasn’t great until someone asked me if I was deaf. That’s when I decided to study with a speech therapist. A few months later, I was able to play up or down certain aspects of my English in order to sound more or less deaf.

While I was in NYC, aside from doing stand up, I had a myriad of jobs; I was a waitress in a French restaurant in Chelsea, I worked for a guy who was renting his apartment to film shoots and music videos - Puff Daddy even once flipped through my daytimer (for young folks, a daytimer is a paper calendar and Puff Daddy is P. Diddy, or Puffy Diddy and Sean Combs), and still not to brag but once Catherine Zeta-Jones didn’t see me at all when we were in the same room together. I wrote jokes for a Swiss TV show, I worked in post-production, in pre-production, I was a coat check girl (for Californians, that’s a girl you give your coat to in restaurants because New Yorkers can’t be bothered with coats when they eat) you know, I did whatever people do to keep up with New York City.

And then I moved to LA, I had odd relationships with odd men, some with tattoos, some with just massive egos, I met my refugee relatives, moved in with a guy and I had his baby and then I kept doing stand up and then we moved out of LA to the Bay Area, and we had another baby and I still kept writing and doing stand up except now I talk about stock options at least once a week.

Today, I’m writing this personal essay while listening to Lauryn Hill’s ‘Unplugged album,’ and I don’t know how personal I should be… could I talk about c-sections or would that be frowned upon? Anyway, both submissions are inspired by some events in my life, not c-sections or babies or anything gross like that.

I’ve been in the entertainment business for over 20 years. Some consider that I haven’t made it because I haven’t been on TV, they tell me: “You’re not even on the radio and you don’t have a huge social media following,” but to them I say: “alright, alright, alright, I know, I get it,” and then they say, “Netflix, you don’t even have a Netflix special!!!” and then I have to explain to them that: “hey, my kids love me,” and then I excuse myself because my babysitter can’t watch my kids past 11pm.

Did I mention I have a comedy album? I have a comedy album, it’s great.

Did I mention, I’m a woman? I’m a woman, it’s great.

Did I mention, I volunteer at my kid’s school? I volunteer at my kid’s school and now I am stunned to see how entitled a lot of people are.

The entertainment business is an endurance race. It’s a long-distance race and I’ve been racing for a long time. The truth is that I do it all for the material, the volunteering, the kids, the marriage, the raising the French cats in America, I do it for the material. I give all my experiences to the page and I like to think that my characters and my stories benefit from my past experiences.

Clara Bijl was born in Paris, France, raised in the Alps, attended schools in Germany, Switzerland, and South Carolina; then one day, she moved to New York City to begin a career in standup comedy.

Performing all around the US and Europe, she became a prolific writer of cutting, witty, internationally flavored comedy.

Clara was a semifinalist in Comedy Central’s Laugh Riots competition. She has performed in Holland’s “The Comedy Factory TV Show,” the New York Underground Comedy Festival, the Lausanne Comedy Festival, the Detroit International Comedy Festival, San Francisco Sketchfest, the Montreaux Comedy Festival, and was a writer for the hit Swiss TV show, “Le Petit Silvant Illustré.”